It’s Peak all the way down
Every upcoming indie game is friendslop. Or at least, that’s the impression that certain corners of the internet will give you.
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The Legacy of SomaSim
When it comes to independently developed simulation games, a name that comes up often is SomaSim. The Chicago-based studio has been at it for over 10 years, and in the wake of a less-than-satisfying launch, they’re looking for a new direction.
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Onstage couple’s therapy: catharsis and breakup songs
Breakup songs are one of the best vessels for exploring the feeling of catharsis, even more so when the subject of that heartbreak (or ire, or ambivalence) is sharing the stage with the author.
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Everything Next Fest: Feb. 2026
If you were curious what you should be looking forward to on Steam this year, look no further. Here are eight of the best demos we played this fest alongside our (objectively) correct opinions.
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Creature Kitchen: Charmingly Retro
Heart, humor, and horror are balanced expertly with the stupid simple cooking mechanics and delightful Dreamcast-era graphics. In short, this game cultivates a vibe.
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Fuck Spotify, I’ll wrap it myself
I’ve conned you all into reading another column about music.
So, because Spotify lies – I’ve become convinced of this, both because of their links to weapons manufacturing and the fact I obsessively track my own listening stats – I’ll wrap it myself.
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Bloodlusters
In Bloodlusters, the most recent effort by a loose collective Pham calls “Crowseeds and friends,” players control ghosts that have kidnapped a vampire princess. In order to repel the sparkly bloodsuckers that come to find her, they must haunt various household items to act as their towers.
Requiem
From Castlevania to Resident Evil, the horror genre is full of gothic castles, incomprehensible living horrors, and cryptic notes. So many notes.
Requiem, the latest effort from solo developer Justin Herrick, is no exception.
Sudden Soul
In upcoming card-collector RPG Sudden Soul, players take control of a party of civilians that have woken up with powers after a blackout in the city of Oasys. None of them are supposed to be heroes, but they just might become them in order to save themselves and their city.
Linguini’s Mansione
One of horror’s greatest strengths is its ability to mirror societal anxieties and force its audience to come to terms with the real horrors that surround them. Many scholars and critics have written pages upon pages about the links between society and the horror it creates, forcing readers to consider that they themselves could be the true monster.
And then there’s Linguini’s Mansione.
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